Thursday, July 28, 2005

sneak peeks for fall!

Sooooo, in light of the fact that I *didn't* post new items this week (argh! i got too busy!), I'm slipping ya'lls some sneak peeks of what's in the pipelines. I keep harping on how into sweater weather I am, and it's ironic to be talking about woolens while the rest of the country is still sweltering in the throes of summer, but here we go...

I've collected a TON of vintage fabrics and patterns, so the fall will be totally full of rich tones, jewelled hues, and what I'm calling "hybrids"--clothes using cotton jerseys and sheer fabrics paired with lambswool, cashmere, and merino accents at the collars, sleeves, and cuffs. They're PERFECT for the transition period between summer and fall, and with a little layering, will head straight into winter! New designs will include 3/4 length and long-sleeve sweater tops, arm warmers, neck scarves, some hoodies, bell sleeve tops, and lots of buttons and wool "leaf" appliques (like last year, only better of course!).

I.....can't.....wait!!!!!!


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Wednesday, July 27, 2005

Anti-Factory at Sodafine



If anyone's in the Brooklyn area, stop by Sodafine boutique in Fort Greene to take a gander at new Anti-Factory items! I sent over a batch of stuff last week, and it's a veritable grab-bag of fun summer doily tops, and lots more...Check out proprietoress Erin's weblog to stay on top of her stock--it's a super lovely store that carries all DIY products, as well as Erin's own line, Purldrop, which consists of all hand-crocheted clothing and accessory gems...yummy! :)

==> Sodafine
==> Purldrop
==> Sodafine weblog

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Sunday, July 24, 2005

vacation station...!

Ahhhh, I am back from a 3-day vacation up the California coast...stayed at a little town called Point Reyes Station which is only an hour out of San Fran but feels like much farther in terms of the atmosphere. Was my mom's 50s birthday (hi mom!) and my b-friend, mom, dad, and baby brother decided it would be fun to cavort around somewhere together for some quality time...lots of hot-tubbing (it IS california, you know), gin & tonics (ahhhhh!), wild blackberries straight offa the bushes, and nature-gandering (mostly in the backyard of the cottages) but hey, it was great to get away...we also bought 50 raw oysters from the Tomales Bay oyster farm for $38 (holey moley--cheap!--any restaurant in SF sells 'em for $2 a pop) and spent a great deal of time wrestling with shucking them and guzzling down the goodies. must remember to do this more often :)

it's my first "summer" trip of the year (geesh!) and hopefully not my last (ouch).


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Friday, July 22, 2005

advertising question

hi fellow crafty peeps, here's a question for ya'll: does it make sense to pay for advertising your wares? like, so far I have been lucky in the sense that I haven't had to take out any ads in either the webworld or zines (Venus, Bust, etc.) to keep Anti-Factory up and running. But has anyone had any good or bad experiences with paying for advertising? What seems to work, and what doesn't? Since i'm trying to ramp up for the fall and winter season, i want to make sure i have a strong clientelle base, with an expanded audience, too. (but don't worry, i'm planning on more *output* as well, so that it won't be a catfight for, like, 5 items :)

Please share your thoughts, and if you feel too weird about doing it via posting to this blog, you can also email me directly at: ssyjuco@hotmail.com

any thoughts or suggestions? they will be *very* welcome!

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psssssst!

ok, despite what i wrote earlier about being too busy, i *may* have a new batch of items of Anti-Factory clothing to post sometime next week (looks guiltily down at her toes)...it's just that in the process of settling into the new studio it's been so joyful to do some sewing and just sort of relax (as the fear rises in her stomach regarding impending art deadlines). it's my own addiction, really, this sewing thing. good for you, pretty good for me, but bad with the general productivity of everything else in my life. (sighs hard)

i promise myself (holds one hand over her heart) that next week i will make art. lots of it. and then i will feel better about having made some clothes.

:/

xoxoxoxoxo
-s

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Thursday, July 21, 2005

giant robot



I am singing Giant Robot magazine's praises since I was happily given four free back issues today by the Stanford Art Library, which I guess is cleaning out their "extra" stuff and left a pile of perfectly good mags out for the taking (EXTRA?!?--hmmmph! Like Giant Robot should not be kept and archived for eternity! Shame!) So now I get to wax poetic about the joys of GR...

Being an Asian lassie myself, imagine my relief about ten years ago now, when I stumbled across a magazine that, hey, was like, totally cool AND happened to be made by people who looked like me and was into the stuff i was into. More than just Asianophilia, GR is packed with music, film, and art reviews of all stripes, and no, you don't have to be of the yellow race to appreciate that (hee hee). Not to mention reviews on instant ramen, unpolitically correct cultural musings, and lots of shout outs to the Asian-Am peeps in LA and SF...Pick up a copy today or visit the website to order back issues and cruise online stuff...

==> Giant Robot

Interesting GR tidbit of the day: I found out Karen O of the Yeah Yeah Yeahs is half Korean...i *knew* she had some slant-eye in her :)

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Tuesday, July 19, 2005

bolero shots

So, i thought it may be handy to post photos of what the bolero sweaters look like on a "real body" (namely mine since i don't live with another girl to put 'em on)...don't mind the funny kissy expression on my face :p i was just trying to have fun but it sort of looks dorky, really...while mannequins are lovely for being unprotesting models, i find they lack a sort of je ne se quois (namely: life), not to mention real proportions...

anwyay, i made several of these bolero sweaters for myself and LOVE them--they're made to be fitted in the front and back, slightly cropped, with many of the long sleeve ones having slits at the cuffs that give them bell shapes. they're fab for the coming fall, so stock up (hint hint! the ones shown in the photos are still available, as are more at the store!)


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new studio!

WHEW!

Things have been so hectic lately, but I'm happy to report that I have moved into my new studio and am soooo happy! I share about 700 square feet with a friend who's also graduated with me from Stanford, Amy Hicks, who's a filmmaker and installation artist. Right now things are totally discombobulated and not quite set up yet, but the best part is that it's in a building that I used to rent from 2 years ago--a big industrial warehouse with huge windows and cement floors, 12 foot ceilings, a loading dock and freight elevator--THE BEST KIND! (and no, i am not rich--san francisco is a DAMN expensive place to be renting and i've made having a studio priority, no matter what...them's the breaks for being an artist, ugh)

I have to start pumping out 2 exhibitions worth of artwork (ulp!) and get the whole shebang up and running. Alas, Anti-Factory will take a slight backseat to it all in the meantime, but don't you fret--the fall and winter will be chock-full of new clothes and designs. Believe you me, working on Anti-Factory is like taking a holiday and I wish I could be on that holiday right now ;p

In the meantime, here's some photos of the new work digs!

the anti-factory area: all boxed up and shelved and so tidy (for now!)


one side of my work area, with big table anchored to one wall. this is just half of my own space, with another area that i'm standing in to take this picture, where i'll have big tables on wheels so that i can move 'em around depending on what i'm working on. mobility mobility mobility!

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Tuesday, July 12, 2005

power and global inequity

I am such a nerd. You know, I don't even read any fiction anymore (unless it's "good" for me, but that's another matter...). For the past ten years or so I have neglected fiction and fantasy for the tomes of essays and nonfiction, basically immersing myself in postmodern art theory, history, and philosophy. Also, I practice my nerdiness throughout the day by listening to a steady stream of NPR while I work. But! In light of all this constant downloading of info, I get to make interesting chit chat with strangers and am a marvelous dinner guest--ha ha!



OK, but this post is really about a great book I read a few years ago, Guns, Germs and Steel, by Jared Diamond. I happily stumbled across a PBS TV documentary based on said book last night and got totally reingrossed with the question: why is it that certain (mostly Western) civilizations rose to prominence with inventions, conquests, and power over others?

Guns, Germs, and Steel (both the book and the TV show) posit that it's a total accident of geography and circumstance, as opposed to any innate "superiority" of one civilization over the other. Dedicatedly anti-racist, the book is a fabulous read in trying to come to terms with the big "why" of the world order. I am totally looking forward to reading it's follow up (right, after I read all the OTHER books I've been meaning to read!), "Collapse" which talks about why powerful civilizations collapse--usually by self-destructive means of exhausting their resources and overpopulation. Diamond is taking a stance in comparing ancient civilizations to contemporary nation superpowers, and warning of disaster if we don't do more to address social and economic imbalance, as well as environmental degradation.

One episode of the TV show was on last night, and there are several episodes forthcoming, so watch out for them!

==> PBS website for Guns, Germs, Steel


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craft-o-licious: dear birthday and lekkner

It's always great to support the handmade gals (and guys) out there who are pulling out their wares for crafty business ventures...Two of my favorites are Dear Birthday, run by Valerie, and Lekkner, run by Melissa. Dear Birthday makes super lovely clothes from scratch, as well as reconstructed patchwork belts and limited edition T-shirts (she's also got a totally entertaining blog and takes lovely photos!). Lekkner has tons of great pouches, bags, accessories, and tops made from recylced T-shirts with awesome graphics and vibrant designs. Her new brooches made from T-shirt scraps are a fab way of using even the teeny itty bitty parts of cast-off items...

Check 'em out and support the community!

==> visit Dear Birthday





==> visit Lekkner



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Friday, July 08, 2005

RESTOCK: Sizzle!

Ahhh, I have just posted some new stuff online, so check it out...I love the new color palatte of caramels and warm tones, plus some of the leafy greens have come back. (I'm still bracing for the fall season, where I get to whip out the woolens. oh, how i love woolens...) But! Warm weather is still here, and with it are stretchy cottony things to keep ya'lls cool...




PS--I don't know when I'll next be able to post new items, so this may be it for a few weeks. I have been keeping up rather regularly with once a week lots, but I'm gearing up for 2 group art shows here in SF (Haines Gallery and Southern Exposure Gallery) and a solo show in Seattle (James Harris Gallery) on September 1st, not to mention moving my art studio from Palo Alto (Stanford) back up to SF next week...the list goes on...and much as I'd like to keep up the pace, can't do it without driving myself ke-razy! The blog will still be kept apace, as it's always a fun outlet that doesn't take as much time as the sewing and selling (whew!).

If someone is in the SF area and ever wants to help me with the web side of Anti-Factory, drop me a line. It's taking up more of my creative time than I want, and I just may be looking to pay someone in the future to handle portions of it, or maybe even do a regular clothing trade for services (hint hint!)

Oh, and if you have ever bought something from me in the past and want to share your feedback, drop me a line and i'll post your shout-outs...it's always great to hear from you guys :)

over and out,
xoxox

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me & carl andre & ed ruscha at haines gallery

Heads up! If you're in San Francisco this summer, stop by Haines Gallery downtown to check out my work in a group show. I've been with Haines for about 8 years now (gee, i'm getting old!) and my last solo show with them was about four years now, so it's good to be back, even if but a little...

Oh, and it's fab to be in a show with Carl Andre (king of minimalism) and Ed Ruscha (king of graphic irony). Yippee!



(From the press release:)

21 July - 20 August, 2005

Haines Gallery is pleased to announce Ad Infinitum: The Aesthetics of Repetition II, a group exhibition that compares and contrasts distinctive approaches to recurrence and repetition in art. Ranging from a series of blank sign prints by Ed Ruscha to a distinctive mixed media installation by Stephanie Syjuco, this exhibition presents a diverse variety of objects and artists stimulating a strong dialogue on repetition.

The thread of commonality amongst this wide spectrum of mode and material is the laborious nature of producing many of these objects. Visually prominent throughout the works in this exhibition is the obsessive attention to detail and the painstaking processes required in their making. Many of the artworks use the action of repetition, either through a series of similar images or material. Opposing examples include Carl Andre's Voltaglyph 20 and a series of watercolor landscapes by David Klamen.

Other included artists bring a personal perspective and method to their medium addressing process as much as subject matter. Works by Amy Ellingson, Max Cole, Rana Begum and Omar Chacon all demonstrate a distinct mode of mark-making that, like an individual signature, reflects its makers personality.

Artists included are Carl Andre, Rana Begum, Omar Chacon, Max Cole, Rob Craigie, Amy Ellingson, David Klamen, Nigel Poor, Alan Rath, Ed Ruscha, Yoshitomo Saito, and Stephanie Syjuco.

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Thursday, July 07, 2005

update

hi all--just wanted to slip ya'lls a little note that I'm aiming to post new Anti-Factory clothing up this Friday or Saturday, so watch out! Again, if you want to join my email announcement list, email me at: ssyjuco@hotmail.com

Cheers!
-s

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Tuesday, July 05, 2005

elegant gothic lolita



ahhh, for those of you who aren't familiar with the term, elegant gothic lolita style is a japanese mix of Victorian-era costume and pure fantasy gothica--lots of frilly lace, over the top outfits, and weird super girlie concoctions. I love it! I used to live in Tokyo for a few years back in the late 80s and fashion wasn't as cool as it is now, even though the main shopping drag, Harajuku, was always pretty awesome. I guess since I was a goth back in high school (!) I'm still a sucker for it all :)



links:
==> magazine scans of the Gothic and Lolita Bibles, the main documenters of the fashion
==> more mags
==> general info
==> and more

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empire and beyond



I MUST read these books: "Empire" (2001) and it's sequel, "Multitude" (2004) written by Michael Hardt and Antonio Negri, theorizers on the new wave of globalization and its potentially resistant players. I tried to read "Empire" last year but got bogged down with other schoolwork and readings--but I just read a review of their new book and it just sold me all over again to undertaking reading both of them now...

If you think I've lost my marbles by posting so much on this, it's just that I am INCREDIBLY interested in this sort of stuff and wish more people were, too! And I'm sooooo tired of hearing that globalization is "inevitable" and that we must just go along with the total domination of corporations in people's lives--that's total bullshit!

My instructor in my "American Workers and Global Capitalism" class from spring '04 at Stanford posits that even though we use the term "late capitalism" to describe the global economic structure we seem to be in, we are actually in a phase of economics we don't even have a word for yet--that the original term "capitalism" doesn't go as far as it's original phrase and is even beyond the scope of basic Marxist theory. While that may sound a bit like a no-brainer (Iike "yeah, things are more complicated than they were in the industrial revolution--we're more global now") it's even BEYOND that...Like the exponential growth of capitalism and its permeation into every aspect of our lives, our constant producing, consuming, and feeding of the machine now falls outside the boundaries of our basic definitions or how we *think* we understand capitalism...from all the reviews and snippets I've read from "Empire," Hardt and Negri seem to be talking about this current state of affairs, and even try to address the alternatives and resistances they see within it.

These books seem more in line with the conceptual theories of French philosophers Deleuze and Guattari (read "A Thousand Plateaus" or "Anti-Oedipus") in the sense that they're not necessarily offering concrete solutions to the problematics of empire, but that they are providing new *frames* in which to think of things--such as the idea of the "multitude" (as opposed to the "proletariat" in the traditional Marxist sense), which consists of non-homogenous alliances and a sort of unified "disunity."

from a review of "Multitude" at Amazon.com:
"Complex, ambitious, disquieting, and ultimately hopeful, Multitude is the work of a couple of writers and thinkers who dare to address the great issues of our time from a truly alternative perspective. The sequel to 2001's equally bold and demanding Empire continues in the vein of the earlier tome. Where Empire's central premise was that the time of nation-state power grabs was passing as a new global order made up of "a new form of sovereignty" consisting of corporations, global-wide institutions, and other command centers is in ascendancy, Multitude focuses on the masses within the empire, except that, where academics Michael Hardt and Antonio Negri are concerned, this body is defined by its diversity rather than its commonalities. The challenge for the multitude in this new era is "for the social multiplicity to manage to communicate and act in common while remaining internally different." One may already be rereading that last sentence. Indeed, Empire isn't breezy reading. But for those aren't afraid of wadding into a knotty philosophical and political discourse of uncommon breadth, Multitude offers many rewards. --Steven Stolder"

Empire on Amazon
Multitude on Amazon
a review by Scott McLemee on both "Empire" and "Multitude"


food for thought: below is artist Thomas Hirschhorn's 2002 work made of metallic paper, foam, and tape


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Saturday, July 02, 2005

smash the (bad) machines!



Alas, the word luddite has been sorely misrepresented, now being used as an epithet to describe someone whe is "anti-technology" or anti-progress. But dig a little further and history shows that the original Luddites were a protesting group of factory workers formed during Britain's Industrial Revolution who were smashing the machines that were replacing their jobs. Far from being anti-progress, the Luddites were targeting labor issues and fair wages as a cause, NOT what some have come to view as "retrograde" views on machines or technology. Hear hear! We should all be for a humane and socially-relevant modes of production...

(excerpted from learnhistory.com)

"Britain was rapidly becoming two nations, rich and poor, because of the Industrial Revolution. During the long war against revolutionary France and Napoleon, Pitt's government had imposed tough laws against protest and rebellion...In 1811 a group of workers formed a secret organisation led by a mysterious 'King' Ned Ludd of Sherwood Forest. Whether a man named Ludd existed or not is unknown. Their targets were the wide-frame stocking machines which were causing falling wages and unemployment in the Midlands. Letters were sent to machine owners, demanding the removal of the things.

"In the first year of the riots, 1811, over a thousand machines were smashed. The movement spread from Nottinghamshire to Lancashire and Cheshire and later Yorkshire. In March 1812 the desperate authorities sentenced seven Luddites to transportation for life. Force was also used to protect machines - soldiers fought with Luddites at William Cartwright's mill near Huddersfield, killing two rioters. 12,000 troops were stationed in the west riding of Yorkshire and government agent spied on everyone.

The Leeds Mercury reported that only the machines of owners who had lowered wages were broken. Discipline was strict - the groups had to be secret and free from informers. However the government liked to portray the Luddites as mindless vandals. What else were the machine-breakers to do?

Fourteen Luddites were hanged by 1813. more were transported to Australia and thousands of people were fined. The sever disturbances died down, and the troops were gradually withdrawn, but machine-breaking continued until 1817. Violent action remained an option - one former Luddite, Jeremiah Brandreth, led a rising in Pentrich, Derbyshire in 1817. This was put down with ease by the government and the ringleaders executed."

==> google "luddite" to learn more!

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couqol!


"Just what," you may say "is couqol?" Well, let me tell you! "Couqol" is what happens when I try to knit my boyfriend's band "condor" using my mom's knitting machine. Seeing as how it's my first time using it, i didn't quite grasp that the thing knits a pattern *backwards*. Thus, upside down and backwards, condor=couqol. The hilarity is killing me, as i spent a good 2 hours making something totally ridiculous! What was going to be a personalized armband or something instead turns out into...well, something that's not :)


Anyhow, this knitting "machine" (and that's sort of a dubious word because it conjours up images of an electronic mechanized thing that you program) hails from the 80s and definitely speeds up the knitting process, but it's sort of hard to learn how to make a pattern work on it. It's a totally unromantic process and the sound of each "pass" of a row sounds a bit like plastic gears grinding into little pieces. But I'm trying to figure out some sort of conceptual angle to use it with--like, what about John Cage-inspired machine knitting? what the hell would that look like? or "freeform" machine knitting (huh?). The possibilities boggle the mind!!!



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accidental prada diptychs

I'm fond of punching random words into google image searches...the weirdest things come up over the simplest words, and when you start punching in psychologically loaded words, it's even better! For fun's sake, here are 2 "accidental Prada diptychs"--images culled from googling "Prada". Sort of like visual Dada poetry or inadvertent database art!...

Note that the weird stuffed cat attacking a stuffed deer was the #1 top image result, and the shoes were the #2. Okaaaaaaaaayyyyyy.









Funny fact: Right now I've noticed that if you punch my name into the google web search, there are *100s* of pages of porn that are somehow attached to my name--not sure what type of weird spamming they've got going on, but it's amazing...I didn't know I was so famous! ha ha ;p

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